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Massachusetts Ave. Billboard Project: Judith G. Levy


‘We didn’t know, until they told us’ by Judith G. Levy

Your Art Here presents ‘We didn’t know, until they told us’ by artist Judith G. Levy for the Massachusetts Ave. Billboard Project. The billboard will be mounted May 2006.

Artwork Statement

In this current body of work, I investigate public/private domains. I am interested in using sign-making making materials and processes to address content that is not usually found in commercial signs, but instead, reflects the complicated, charged nature of our psychological, social and political worlds. The images often float in uncomfortable, ambiguous spaces that mirror our own positions, as we attempt to understand both the internal and external worlds in which we live. I have intentionally refined the imagery in order to create contrast with the complexity of the content. I am also interested in examining the changing nature of public information and private concerns and the choices that individuals and groups make in these arenas. By combining low-tech (drawing with a pencil) with high-tech (computerized sign-making processes), I underscore how our experiences are simultaneously simple and complex.

Artist Bio

Judith G. Levy is a native New Yorker and lived in the Hudson Valley in New York State before moving to the Midwest in1998. She has exhibited her work in New York, Chicago, Minneapolis, Indianapolis, North Dakota, Kentucky, and in Canada.

She earned her undergraduate degree in Drawing and Painting from Hunter College in New York City and a Masters degree in Clinical Social Work from Adelphi University.

Judith lives in Indianapolis and works fulltime as an artist.

Visit: www.JudithGLevy.com

Massachusetts Ave. Billboard Project: Shashana Chittle


correct me if I’m wrong by Shashana Chittle



Your Art Here presents correct me if I’m wrong by artist Shashana Chittle for the Massachusetts Ave. Billboard Project. The billboard will be mounted September 2006.

Artwork Statement

“1=+1” and “correct me if I’m wrong” are two pieces that take personal sentiments that I rarely express and attempt to offer them for others to relate to. 1=+1 is a shy attempt at optimism, while “Correct me if I’m wrong” is a shy attempt at self-confidence. Both of these pieces embody the hope for hope I’ve been struggling for, given the war and the political climate of recent years.

“1=+1” is a way of thinking about non-qualified facts and quantities, since the number one is necessarily positive unless specified otherwise, 1=+1 is a way of abstractly integrating a belief in positivity into one’s daily life. I believe the equation also acts much like a Buddhist koan in the way that is it clear and unclear at once. Each of the two items in the photo, “correct me if I’m wrong” carry contradictory messages. Positioned against a black background, a dead dove is juxtaposed with a heart shaped post-it note that has “correct me if I’m wrong” tentatively written in white-out on it. I feel that the pairing of these conflicting but heartfelt symbols acknowledges the difficulty of following one’s heart and the confusion included in that struggle.

Artist Bio

Shashana Jaffee Chittle was born in San Francisco in 1980. She received her Batchelor of Arts in Art Studio from UC Santa Barbara in 2002, and her Masters of Fine Arts in Visual Art at UC San Diego in 2006. She has exhibited in gallery group-shows in Los Angeles, San Diego, Tijuana and Chicago, as well as in “The Small Painting Show” at the Ulrich Museum of Art in Wichita Kansas, and “Spring Reverb” at the San Diego Museum of Contemporary Art. She currently lives and works in the San Francisco Bay Area.

Visit: www.shashanachittle.com

Massachusetts Ave. Billboard Project: Shashana Chittle


Correct me if I’m wrong by Shashana Chittle

 

Your Art Here presents correct me if I’m wrong by artist Shashana Chittle for the Massachusetts Ave. Billboard Project. The billboard will be mounted September 2006.

Artwork Statement

“1=+1” and “correct me if I’m wrong” are two pieces that take personal sentiments that I rarely express and attempt to offer them for others to relate to. 1=+1 is a shy attempt at optimism, while “Correct me if I’m wrong” is a shy attempt at self-confidence. Both of these pieces embody the hope for hope I’ve been struggling for, given the war and the political climate of recent years.

“1=+1” is a way of thinking about non-qualified facts and quantities, since the number one is necessarily positive unless specified otherwise, 1=+1 is a way of abstractly integrating a belief in positivity into one’s daily life. I believe the equation also acts much like a Buddhist koan in the way that is it clear and unclear at once. Each of the two items in the photo, “correct me if I’m wrong” carry contradictory messages. Positioned against a black background, a dead dove is juxtaposed with a heart shaped post-it note that has “correct me if I’m wrong” tentatively written in white-out on it. I feel that the pairing of these conflicting but heartfelt symbols acknowledges the difficulty of following one’s heart and the confusion included in that struggle.

Artist Bio

Shashana Jaffee Chittle was born in San Francisco in 1980. She received her Batchelor of Arts in Art Studio from UC Santa Barbara in 2002, and her Masters of Fine Arts in Visual Art at UC San Diego in 2006. She has exhibited in gallery group-shows in Los Angeles, San Diego, Tijuana and Chicago, as well as in “The Small Painting Show” at the Ulrich Museum of Art in Wichita Kansas, and “Spring Reverb” at the San Diego Museum of Contemporary Art. She currently lives and works in the San Francisco Bay Area.

Visit: www.shashanachittle.com

Massachusetts Ave. Billboard Project: Brad Wicklund


Wave to a Stranger by Brad Wicklund

 

Your Art Here presents Wave to a Stranger by artist Brad Wicklund for the Massachusetts Ave. Billboard Project. The billboard will be mounted June 2006.

Artwork Statement

Every human being has a unique story to tell that is influenced by his or her own experiences and perspectives on reality. Despite this individuality we are all inextricably linked. Even our most mundane actions, when repeated daily or by many people, can have global ramifications. My recent work illustrates those moments when the tension between the personal and universal becomes noticeable by forcing the observer to consider his or her own relationship to a larger community.

Artist Bio

Brad Wicklund was born in Longview, Texas in 1982. While growing up his family moved often which lead him to live in Alaska, Illinois, and several cities in Ohio. In 2001 he began attending Indiana University, Bloomington, where he graduated in May 2006 with a Bachelor of Fine Arts Degree in Printmaking and a Bachelor of Arts Degree in History of Art. Along with fellow printmaker, Andrew Maxson, he founded the LOVE FACTORY art collective in January 2006.

Visit: http://www.bradwicklund.com

Massachusetts Ave. Billboard Project: Molly Reilly


Gone By by Molly Reilly


Your Art Here presents ‘Gone By’ by artist Molly Reilly for the Massachusetts Ave. Billboard Project. The billboard will be mounted May 2006.

Artwork Statement

‘Gone By’ is from a series of landscapes entitled ‘All that Remains Will Be Devoured’. The images are composed from an eclectic stockpile of thrift store acquisitions, domestic detritus and items scavenged from the estates of the deceased. Based off an archive of 1960’s Kodachrome vacation slides, objects representing loss and familiarity are composed within vacant landscapes. Scanned and stitched together these images are full of seams. This is photography on the inside out, stretched and sustained by its remnants.

Foraging through thrift stores developed into my art, as art. Finding things I deemed as interesting had the same kind of satisfaction as photographing. Using the thrift in my art justified not only my obsession to go driving aimlessly, looking for obscure thrift stores but also seemingly useless purchases. Cataloging these things with the scanner gave the objects a replaced realism that was better in ways than owning the object, cluttering my space. This way I was also able to send it back where it came from keeping things moving in a cyclical nature. The flattening of these objects led to the removal of nearly all-structural material. These new compositions lent themselves like big stickers or strips of wallpaper, becoming atmospheric and reminiscent at the same time. Roads leading nowhere and folded, vacuum-like seams in the landscape constituted an exterior sense of comfort that worked its way out from the inside, letting out a certain amount of sadness and taking some back in again.

Artist Bio

Born 1973- Buffalo, NY    In 1997 I received my BFA in Photography from the California College of Arts (CCA) in Oakland CA. Several years later I returned to CCA as the Studio Manager of the Photography Department. At this time I began showing work locally and nationally, including a series of images at the SF Arts Commission Gallery. I held my position as Studio Manager for several years before my acceptance to the Cranbrook Academy of Art in Bloomfield Hills, MI. I received my MFA from Cranbrook in 2004. Prior to arriving at Indiana University I taught a variety of photography courses at the College for Creative Studies in Detroit and the University of Michigan in Flint.

Visit: www.mollyReilly.com