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Massachusetts Avenue billboards- D. Morrison Lyman and Andrew Glenn


Cleanse, a photograph by D. Morrison Lyman is hanging on the 888 space.

Artwork Statment

Looks at My Loves
The latest series by D. Morrison Lyman
D. Morrison Lyman, a queer Chicago artist and activist, has been shooting and compiling this body of work over several years. Looks at my Loves is a collection of fragmented portraits of people in Morrison’s life and community. The images are snapshot glimpses of a delicious assembly of her loves and community members in all of their grief and glory. Images made are observations of individuals and relationships between: the subject(s) and the environment, the photographer and the subject, and often the subject and the viewer.
Subjects are each part of Morrison’s world in some capacity, as a friend, partner, ally, or advocate. Gender or sexual orientation-wise, they often transcend a common label or definition. For example, some of the subjects may consider themselves lesbians, but others may consider themselves transgender, queer, genderqueer, or genderrevolutionary, as essentially all of these terms represent anything considered ‘deviant’ or ‘alternative’ to/ of the ‘norm’. What constitutes ‘the norm’ is anyone’s educated guess: the dominant ideology, the commonly accepted norms as defined by the majority, and/ or the people in power. In this way, the images of Looks at My Loves serve to inform as well as observe this lifestyle. Consider these photos a true representation of real, queer life in the contemporary Midwest, today. In regards to the April 2005 Your Art Here Billboard image, the artist writes, Untitled (Liz in the tub) is a portrait of my (now former) partner. This image shows the intimacy and vulnerability of being in a loving relationship, and all of the complex emotions that accompany it.

Artist Bio

Morrison Lyman is a Chicago artist, performer, and photographer, and teacher. Raised in a small Midwestern farm community by a single mother artist, Morrison was taught the value and necessity of self-expression at a very early age. She has since developed this need to express into art that comments on and explores such issues as gender, body image, class, relationships, and fractured identity.

Yucca Flat, Andrew Glenn

Detail from Yucca Flat, NV, by Andrew Glenn, is an image that coincides with his MFA Thesis Exhibition, April 13–24, at the Indiana University Art Museum, Bloomington, IN, is hanging on the 922 space. Andrew’s opening reception is Friday, April 15, 6–8pm.

Flatland: Billboards in the Crossroads of America


Mine is Bigger Than Yours by Benjamin Long

Flatland was a collaborative project with Indiana University’s SoFA Gallery that resulted in 7 art billboards both in the SoFA Gallery and in Bloomington and Indianapolis. Pieces by Angela Edwards, Linda Adele, Benjamin Long, Jasmine Grskovic, Denis Chamberlain, and Antonia Curry

Press

Dead Bugs, a Billboard, 1970s Polaroids, and Toy Cameras: Local Photographer Blurs and Constructs Memory Across Generations in ‘The Possibility of Loss’

Flatland: Billboards in the Crossroads of America: A statewide billboard competition ends with gallery opening, By Roseanne Hennessey & Betsy Stirratt, August 15, 2003
http://www.unitedwaypc.org/news/detail.lasso?apple=404

‘Your Art Here’ project showcases Hoosier artists’ work on billboardsJournal and Courier, June 22, 2003
http://www.jconline.com/

Arts Eye #27, Indiana Arts Commission, June 2003
http://www.state.in.us/arts/publications/ArtsEye_jun_july2003.html

Artists to redefine art with competition: Winners work to be displayed on billboards throughout Indiana, By Kelly Phillips, The Indiana Daily Student, June 26, 2003

Arts Eye #26, Indiana Arts Commission, May 2003
http://www.in.gov/arts/publications/26_may03_ArtsEye.html